Stephen Duncombe and I published a column called “Activist Art: Does it Work?” for Open! Magazine.
It begins like this:
Activist Art: Does it Work?
The first rule of guerilla warfare is to know the terrain and use it to your advantage. The topography on which the activist fights may no longer be the mountains of the Sierra Maestra or the jungles of Vietnam, but the lesson still applies. Today, the political landscape is one of signs and symbols, story and spectacle. Responding to this new terrain, there has been an upsurge in the use of creative, artistic, and cultural strategies as a tool for social change. This practice goes by many names: political art, activist art, interventionist art, socially engaged art, and social practice art. No matter the description, artists are using their aesthetic training and skill to wage battles for social change. Yet as practitioners and trainers in these forms of artistic activism, we are haunted by the question: Does it work?
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