Steve Lambert

wrote a book!!!

Work

Steve Lambert Show #1 July 11, 2006

Steve Lambert Show #1

I haven’t done radio in a few years and, after some gentle coaxing, I recently agreed to create

June 07, 2006

Simmer Down Sprinter

Download a Quicktime version of the video. Simmer Down Sprinter is a two player, sit-down, arcade style video

100% From Memory May 30, 2006

100% From Memory

A collaborative pair of drawings I did with Canadian artist, Amanda Schoppel. As a “lifelong Californian,” attempted to draw a map of Canada from memory. Amanda, a “proud Canadian,” drew a map of the United States from memory. We were not allowed to look at any maps or consult any resources for details. The two maps were then rejoined.

Collaboration with Packard Jennings May 15, 2006

Collaboration with Packard Jennings

Packard Jennings and I collaborated on an Anti-Advertising Agency project involving ads on bus-stop benches in Oakland. Full

I WILL TALK WITH ANYONE ABOUT ANYTHING January 04, 2006

I WILL TALK WITH ANYONE ABOUT ANYTHING

I set up this table near other individuals and organizations tabling for political, religious and other causes. When

August 08, 2005

The Best Use of An Art Magazine

For this piece I was given a vintage art magazine and told to make work from it (like

June 22, 2005

Weapons Lab Conversion Proposal

Lawrence Livermore Conversion Plans gave people a chance to re-envision the purpose of Lawrence Livermore National Laboratory, a nuclear weapons lab in the San Francisco Bay Area.

Emma Goldman Institute for Anarchist Studies June 22, 2005

Emma Goldman Institute for Anarchist Studies

wood, inkjet print on adhesive vinyl 7 feet high x 10 feet wide See how this was made.

Sprawl Drawings June 06, 2005

Sprawl Drawings

These drawings are created from photographs of new homes in Central Valley housing developments that were either vacant or under construction.

The Offices of the Anti-Advertising Agency May 27, 2005

The Offices of the Anti-Advertising Agency

Set up in an exhibition space, the installation became a “home base” for the Agency, both for its members and the public. It also made the AAA available to the public, our work more “transparent” (as they say in business), and more accountable to anyone who wanted to talk to us. This idea evolved into creating offices within the gallery space that would function both as a working office and as an exhibit of the AAA’s works.

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