Steve Lambert

wrote a book!!!

Yearly Archives: 2012

Minus Space in Oaxaca

Minus Space in Oaxaca

Exhibitions,

Minus Space in Oaxaca

MINUS SPACE en Oaxaca
Instituto de Artes Gráficas de Oaxaca Alcalá (IAGO)
Macedonio Alcalá No 507, Centro
Oaxaca, México, CP 68000

MINUS SPACE en Oaxaca presents an overview of graphic arts strategies employed by 31 reductive artists working around the globe, including North and South America, Europe, and Australasia. Spanning multiple generations as well as divergent contexts, the artists on view in this exhibition share a core interest in the language of printmaking and editioned works of art.
The exhibition features an extensive array of printmaking methods, including monoprint, silkscreen, etching, woodcut, lithograph, letterpress, chine-collé, digital inkjet, and offset. The exhibition also includes works of art produced in multitude, such as artist books, record albums, postcards, paintings, and porcelain and wax objects. Many of the works on view extend printmaking’s traditional boundaries by hybridizing two or more artistic media, including photography, computer arts, installation, performance, and written language, resulting in entirely new forms with multiple layers of meaning.

Participating Artists: Josef Albers, Soledad Arias, Hartmut Böhm, Sharon Brant, Vicente Butron, Vincent Como, Mark Dagley, Julian Dashper, Linda Francis, Cris Gianakos, Daniel Göttin, Michelle Grabner, Lynne Harlow, Daniel G. Hill, Juan Raúl Hoyos, Gilbert Hsiao, Kyle Jenkins, Steve Lambert, Vincent Longo, Stephen Maine, Rossana Martínez, Russell Maltz, Manfred Mohr, Victoria Munro, Rose Nolan, Carrie Pollack, Erik Saxon, Robert Swain, Tilman, Jan van der Ploeg, Patricia Zarate

Capitalism Works For Me

Capitalism Works For Me! True/False – Boston Tour

Exhibitions, , ,

Capitalism Works For Me

Lincoln, MA, March 27, 2012 — DeCordova Sculpture Park and Museum announces the tour dates and locations for Steve Lambert’s Capitalism Works For Me! True/False sign, which will be placed in public spaces via one-day installations throughout the Greater Boston area April 6 through 12. The artist will be on site to install the sign, encourage voting, and engage the public in this timely dialogue.

At 9 feet high and 20 feet wide, Steve Lambert’s Capitalism works for me! True/False? brazenly asks for your participation–your vote–in an ongoing debate that has recently occupied Wall Street, Dewey Square, and public discourse throughout the world. Using the space of art as a space for dialogue, Lambert harnesses humor and brashness to address one of the most common and complicated issues of our time–the economy and growing state of class disparity.

His sign, currently on view in the front entrance to deCordova’s Museum as part of The 2012 deCordova Biennial, will travel throughout the Greater Boston area this April to create and capture dialogue, and even more so, votes. As the global economic crisis worsens and Americans take to the street in protest, Lambert’s project echoes a growing public anxiety.

The sign will be at the following locations on the dates listed below (times approximate):

Friday, April 6, 10:30 am—2:30 pm
Davis Square, Somerville (near JP Licks)
In collaboration with the Somerville Arts Council

Saturday, April 7, 10:30 am—2:30 pm
Price Rite Parking Lot
892 River St., Hyde Park
In collaboration with Finard Properties

Monday, April 9, 10:30 am—2:30 pm
MassArt
Adjacent to Kennedy Building, Huntington Ave, Boston
In collaboration with MassArt

Thursday, April 12, 9:30 am—1:30 pm
Newton North High School, inside the main entrance
457 Walnut St, Newton
In collaboration with Newton North High School and the New Art Center

Thanks to the deCordova Museum.

March 31, 2012

Building Everything You Want v2

Studio Log,

Yesterday I sent off a piece from the new Everything You Want Right Now edition. This “version 2” edition is in a different color than the original and includes a LED backlit panel — the first time I’ve done this in a piece. The 2nd version was inspired by a website someone passed on to me. On the site they had pirated the original Everything You Want Right Now image (they used it without attribution, against the terms of my Creative Commons license) and altered it to be blue instead of orange.   I liked the color, so I made it real. Their piracy inspired innovation so everything turned out well in the end.

Here’s some images and video of the build process. This is not complete by any means, just some photos I snapped along the way.

The piece will be at the Chicago or Houston art fair this year. Maybe both. I don’t remember. I just make the stuff.

 

Creative Activism Thursdays at NYU: Steve Lambert

Talks

I’m speaking at the Hemispheric Institute on April 19.

Steve Lambert made international news after the 2008 US election with The New York Times “Special Edition,” a replica announcing the end of the wars in Iraq and Afghanistan and other good news. He has collaborated with groups from the Yes Men to the Graffiti Research Lab and Greenpeace. He is also the founder of the Center for Artistic Activism, the Anti-Advertising Agency, Add-Art (a Firefox add-on that replaces online advertising with art) and SelfControl (which blocks grownups from distracting websites so they can get work done). He is on the faculty of the School of the Museum of Fine Arts, Boston. Steve will discuss making engaging, funny, relevant art and how it can help effect change.

Revolutionaries Live! (aka Creative Activism Thursdays) is co-sponsored by NYU Dean for Social Science, the Hemispheric Institute, the Yes Lab, the Humanities Initiative at NYU Working Research Group on Artistic Activism, CAA, and Not an Alternative. Speakers also attend following Yes Lab Friday.

via nyuaa.com | Creative Activism Thursdays: Steve Lambert.

Why Kickstarter Outfunding the NEA Isn’t a Good Thing – on Read Write Web

Press,

I was quoted in Why Kickstarter Outfunding the NEA Isn’t a Good Thing on Read Write Web. I actually have way more to say about this than what was included. You can read some of what I’ve said in a 4 part post the UCIRA blog (part 1, part 2, part 3, part 4).

Don’t ask me about this in person unless you want to hear me go on for at least 20 minutes.

See also: this video on “why should public funds be spent to support artwork that might be considered offensive?”

I killed my Facebook profile

Studio Log,

I killed my Facebook profile. (More or less.)

Sometime last week I ended my Facebook Profile and turned it into a  Facebook Fan Page At the time I had about 2500+ “friends” and a handful of friend requests coming in every couple days. I’m extremely grateful to have so many people who want to be connected to me and my work in some way, however doing that through a Facebook profile had become unmanageable for me. Somewhere between new friend requests, having another inbox for messages, and the dozens of events and reminders, my Facebook profile turned a corner where it no longer made sense in my workflow. So I made a change.

The Facebook Page allows me to continue to post updates, new work, and the occasional silly thought but without the message inbox, event invitations, and I wont see anyone’s updates or profile. For my actual face-to-face friends, we will continue to stay in touch outside this system. For anyone else who wants to connect to me outside Facebook you have plenty of options; email, my mailing list, RSS feeds, or connect on other social networks.

I sincerely appreciate you who choose to follow what I do and want to stay abreast of forthcoming projects. I have to make choices about the time I spend continuing with my work and doing everything else. This small change is going to help me continue with that work. Thanks for staying along!

Steve

Enacting Populism at Kadist

Enacting Populism opens Feb 17th in Paris

Exhibitions, ,

Enacting Populism at Kadist

ENACTING POPULISM IN ITS MEDIÆSCAPE
Curated by  Matteo Lucchetti
February 18 – April 22, 2012

Press conference: Thursday February 16 at 11 am at Kadist Art Foundation
Opening reception: Friday, February 17 from 6 to 9  pm.

Alterazioni Video, Heman Chong, Luigi Coppola, Danilo Correale, Foundland,  Nicoline van Harskamp, Steve Lambert, Oliver Ressler, Anna Scalfi Eghenter, Société Réaliste, Jonas  Staal, Superflex.

with a screening program curated by le peuple qui manque
a public conversation with Ernesto Laclau (Thursday February 9, 7-9  pm)

Kadist Art Foundation is pleased to present Enacting Populism in its mediaescape, an exhibition  curated by Matteo Lucchetti, following his residency at the Foundation.

Enacting Populism is an on-going project on the possible relationships between art practices and the  populist mediascape that connotes the current political zeitgeist of Europe. At Kadist Art Foundation  this project will develop into an exhibition that will take place during the last two months of the  presidential elections campaign in France. The space here is interpreted as a sui generis political  bureau, immersing the exhibition in an ambivalent environment where the works can be seen as  elements belonging to a political party office where a campaign is being prepared.

The show is focusing on the European populism that has heavily influenced the public imagery on  politics for the last twenty years. Its leaders and agitators understood at an early stage the shift that  occurred both in portraying the figure of the politician and in the role of the political discourse in the  mediascape. In fact, when political ideologies ceased to give shape to the political agendas, with the  end of the Cold War, the Western parties started to progressively mirror this ending with the flattening  of their positions in the public debate, starting to respond only to a general capitalism discourse about  a global market that needed to find its way. From that point the political action softened the natural  antagonism of democracy, thus creating a lack of opposite and distinct political projects. This situation  left space for a popular frustration to arise and consequently demagogues articulated it. Therefore  those who understood how the space of politics worked slowly moved from being representative to  openly playing with its representation in the media.

Ernesto Laclau was one of the first to acknowledge to populism a dimension inherent to any  democratic regime, looking at it through a historical perspective and not just as a right wing party  phenomenon. As Laclau states,“democratic politics requires the construction of a ‘people’ on the basis  of one or more empty signifiers as well as an antagonism between ‘us’ and ‘them’ “ .

In order to create alternative, cheap and fictional feelings of belonging, or rather in order to ‘construct’  that empty signifier that is ‘the people’, the visual strategies that take place on a daily basis in the  media might not only be seen as completely distorted productions of our times. Instead, they can  also be considered as materials that can be easily deconstructed, so as to offer a clearer vision on  what democracy looks like today. The process of enacting populism, to make the aesthetic strategies  embedded in the creation of a visible consensus, comes together with interferences put at play  with the mediascape. Here, the artistic projects find new potentialities to impact the contemporary  imagery on politics as seen in the works produced for the show. Moreover, developing a historical  perspective on the idea we have on populism, generates tools through which an awareness is created.

Read an extended version of this text here.

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