I participated in this “twitter panel” for Creative Time about Nato Thompson and Liam Gillick’s discussion for Creative Time Reports. The whole discussion was archived via Storify and you can read through the embedded page here: Read on…
PLEASE NOTE: THIS EVENT IS TAKING PLACE AT NO LONGER EMPTY’S TEMPORARY EXHIBITION VENUE, LOCATED AT 29-27 41ST AVENUE, LONG ISLAND CITY, QUEENS
Date + time: Thursday, January 24th, 8 pm – 10 pm
Location: 29-27 41st Avenue, Long Island City
Flux Factory is pleased to present its last edition of Flux Death Match, a feisty debate series in which opinionated experts lay down their thoughts, and put their foot in their mouths over hot button issues. Spontaneous quips, grisly “smack downs,” and a punishing fog machine are the name of the game. But in true action fashion, the final blow comes from the audience.
Steve Lambert, visual artist and co-founder of Center for Artistic Activism; Alexis Clements, writer and current fellow at Cultural Strategies Initiative; and Deborah Fisher, Executive Director of A Blade of Grass, will tangle over the art worlds’ most scarce resource: CASH. Where should it come from? Who gets it? And what should they do with it?
This fourth Death Match, Arts Funding: Follow the $$$$, is Flux Factory’s contribution to No Longer Empty’s How Much Do I Owe You? exhibition which focuses on value and exchange. The event starts at 8:00 pm with an open bar and reception for the panelists and audience members. The debate begins at 8:30 sharp and will be followed by a Q&A session, after which the audience will determine the winner. In keeping with the topic, high stakes are at risk: the winner takes all presenter honoraria and distributes as s/he sees fit.
The series is organized and moderated by Douglas Paulson and Christina Vassallo and is generously supported by our main sponsor AT&T. Additional funding is provided by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
MediaImpact: International Festival of Activist Art
Festival presentation, talks and debates
16 November 2012, 7:00pm
34 Stuyvesant Street, Barney Building (Between 3rd and 2nd Avenues at 9th Street)
NYUSteinhardt, Department of Art & Art Professions, New York
Art that steps out into the public space in order to call for social change is a relatively recent phenomenon in Russia. The development of this genre has evolved alongside the emergence of civil society in Russia, which has been accompanied by a rise of mass protests on the one hand and political repression on the other. In this case artists become precursors to and catalysts of social processes, but they also assume a heroic role as they go out into the street to confront the system.
The festival presentation will include talks and screenings on Russian activist art as well as discussion with festival participants and audience.
Participants: Alina and Jeff Blumis (artists, New York), Andy Bichlbaum (activist, New York), Andrew Boyd (activist, New York), Avram Finkelstein (activist, New York), Ilya Falkovskiy (artist, Moscow), Nina Felshin (curator, New York), Steve Lambert (activist, New York), Maria Kalinina (curator, Moscow), Anya Sarang (activist, Moscow), Tatiana Volkova (curator, Moscow).
In collaboration with the Center for Artistic Activism.
Media Impact presentation in the US is made possible in part with funds from CEC ArtsLink.
I’m feeling good after the Creative Time Summit this past weekend. I’ve been looking forward to it for years and was glad to participate.
Below is a video of my presentation. All the presentations are limited to 8 minutes and the end of 8 minutes is indicated by a musician playing on the side of the stage. When asked to speak, I knew immediately how I would finish.
The second day of the summit was very rewarding. I did two 90 minute sessions, one with Stephen Duncombe on Utopian Strategy and another on my own on communication models for activists and artists. This was where the real value came as I got to work with around 40 people total and share some valuable tools that we usually can only share in Center for Artistic Activism weekend workshops.
With so many smart people in town, there’s been some great follow up meetings and conversations. I have a feeling some exciting things will come from this.
The talk I gave at CAFKA/Musagetes in Kitchener back in May has been posted online.
I’m speaking at City Hall (!) in Kitchener, Ontario on May 22nd.
Tuesday May 22, 2012 – 7:00 pm
Kitchener CIty Hall Rotunda
200 King St. W., Kitchener
Steve Lambert is an American artist who works in a variety of media, commonly using print and communication vehicles as a means of developing a dialogue with his audience. He has produced interactive scoreboards, letterpress posters, signage and postcards. One of Lambert’s best known projects is The New York Times “Special Edition”, which announced the end of the wars in Iraq and Afghanistan following the 2008 American election.
Lambert uses art as a bridge to connect uncommon, idealistic, or even radical ideas with everyday life. He carefully crafts various conditions where these ideas can be discussed with people to produce a meaningful exchange. Often this means working collaboratively with the audience, bringing them into the process or even having them physically complete the work.
He has collaborated with well-known art collectives such as the Yes Men and the Graffiti Research Lab, and other organizations such as Greenpeace. He is also the founder of the Center for Artistic Activism, the Anti-Advertising Agency, Add-Art (a Firefox add-on that replaces online advertising with art) and SelfControl (which blocks grownups from distracting websites so they can get work done).
There will be a complimentary shuttle from downtown Guelph to Kitchener for the Steve Lambert lecture, departing from 193 Woolwich St. (Macquarie House) at 6:00 PM. Seats will reserved on a first-come, first-served basis. Please visit http://stevelambertbus.eventbrite.com or contact Danica Evering at email@example.com or 519 836 7300 x 103 to reserve your seat.
Image credit: Steve Lambert, Capitalism Works For Me! True/False, 2011. Courtesy the artist.
About Big Ideas in Art and Culture
The Big ideas in Art and Culture Lecture Series is a joint production of CAFKA and Musagetes. CAFKA is about making art happen in the public spaces of this community, introducing contemporary art to new audiences and engaging the public in new ways of seeing their city. The Musagetes Foundation has been active around the world gathering artists and public intellectuals to consider variations on the theme of social transformations through creative and artistic interventions. These open forums, or cafés, explore and apply new ideas in creative practices, social change and community development. Musagetes Cafés have taken place in London, England, 2007, Barcelona, Spain, 2008, and Rijeka, Croatia, 2010. Future cafés are being planned to take place in Sudbury, Ontario, 2011 and in Lecce, Italy, 2012. CAFKA gratefully acknowledges the support of the Ontario Trillium Foundation, the City of Kitchener, The Kitchener and Waterloo Community Foundation – Musagetes Fund, the Canada Council for the Arts, and the Ontario Arts Council in helping to make this lecture series possible.
Artists from occupy boston to host night of conversation & action – Featuring artist Steve Lambert
Samsøn (formerly Samson Projects)
450 Harrison Ave, South End Boston
Saturday April 28th, 5pm -
5-6:00 Alternative sign-making workshops
6-7:00 presentation by artist Steve Lambert
7-8:00 Q&A followed by drinks, hangout, and discussion
8-10:00 screening, Yes Men Fix the World
On April 28, 2012, Members of Occupy Boston’s arts working group, CASA, will host a gathering with artist and cultural provocateur Steve Lambert. Taking place at Samsøn, this event will be an opportunity for Lambert and the greater Occupy community to connect over questions of messaging, humor, culture jamming, and creative activism as the movement heads into the coming seasons.
Lambert’s work includes “The New York Times Special Edition” produced with the Yes Men and many other groups in 2008 and distributed in cities across the US carrying headlines such as “Iraq War Ends,” “Maximum Wage Law Passed” and “All Public Universities to Be Free.” More recently, Lambert’s gigantic, sign/scoreboard “Capitalism Works For Me,True/False” is touring the country posing a personal question its viewers can vote on.
The Present Group writes of Lambert’s work, “These bits of provocation get people thinking (and talking) about how they act, what they believe, how they imagine the world around them, and how they imagine it could be.” With the School for Creative Activism, Lambert has taught workshops that infuse creative tactics with traditional community organizing and civic engagement.
Lambert, along with painter Josh Luke, produced signs for many of the tents in the Dewey Square occupation in October 2010. Intending to produce change, he’s given simple advice for how to do more than “raise awareness” while maintaining a positive attitude. Join us on the 28th as we recharge our creative batteries and rehash the radical. Spring is upon us. There is difficult and enjoyable work to be done, absurd futures to dream up, and important questions to ask ourselves in the next stages of the Occupation. We think art and creative action should play a significant role in the shapes, forms, and modes of communication and performance employed in these next steps.
Room 913, 6 East 16th Street. 12:15-1:45pm
Roundtable: Activism On The Ground
Melissa Gira Grant
Moderator: Deva Woodly
Transmediale has posted audio recordings of the 2012 panels. This recording is me talking about the Capitalism Sign at the “Zombie Play at the Ludic Salon.”
This panel was a lot of fun. Some of the questions come from great folks like Dmytri Kleiner and Jacob Applebaum.
(By the way I say “extinct” when I meant “endangered”)
You can get all the ludic salon recordings from this page on Soundcloud
This is the link to the Debugging and Rebooting panel, which got a little weird and would be difficult to understand without the video.