I have my photo ‘You Are Still Alive‘ showing in this exhibition at MOCA, Cleveland.
Dirge: Reflections [on Life] and Death March 7, 2014—June 8, 2014
Organized by Megan Lykins Reich, Director of Programs and Associate Curator
MOCA Cleveland information page: http://www.mocacleveland.org/exhibitions/dirge-reflections-life-and-death
REGULAR HOURS Tuesday through Sunday: 11am – 5pm
Open late Thursdays until 9pm
Check the calendar or call 216.421.8671 for more information
Museum of Contemporary Art Cleveland
11400 Euclid Ave Cleveland
I’m showing with Charlie James Gallery at Aqua Miami.
Charlie has two pieces and two more at the entrance. Below are some photos of Everything You Want Right Now! and the window painting we had done at the entrance of the building.
We’ll Make Out Better Than Okay
opening Oct. 25
The Charlotte Street Foundation’s la Esquina Gallery
Kansas City, MO.
Featured artists: David O. Alekhuogie (New Haven, CT), Jennifer Boe (Kansas City, MO), Andrea Bowers (Los Angeles, CA), Candy Chang (New Orleans, LA), Blake Fall-Conroy (Ithaca, NY), Theaster Gates (Chicago, IL), Honey Pot Performance (Chicago, IL), Steve Lambert (New York, NY), Persia ft. Daddies Plastik (San Francisco, CA), William Powhida (New York, NY), Public Media Institute (Chicago, IL), Alex Schaefer (Los Angeles, CA), Mike Simi (Chicago, IL), Brittany Southworth-LaFlamme (Chicago, IL), Stephanie Syjuco (San Francisco, CA), Cassie Thornton (San Francisco, CA), and Daniel Tucker (Chicago, IL).
Charlotte Street Foundation is pleased to present We’ll Make Out Better Than Okay, an exhibition of contemporary artworks that address everyday and street-level concerns of the economic recession (unemployment, debt, corporate greed, minimum wage rates, and more) with playfulness, aplomb, and an often bleak sense of humor. Financial lack, foreclosed property, exploitative labor policy, and high-priced healthcare are just a handful of the economic realities producing absurdist dilemmas for individuals and communities across the nation. Curated by 2013-14 Charlotte Street Foundation Curator-in- Residence Danny Orendorff and featuring over 15 internationally exhibiting American artists working in medium non-specific manners, this exhibition confronts such realities and absurdities with headstrong wit and hilarious outrage.
Sharon Arts Center, Main Gallery
New Hampshire Art Institute
Curated by Tim Donovan – Launch F18 Gallery, New York
September 6 – October 25, 2013
Opening Reception: September 6, 2013, 5–7pm
Whether it is repurposing found letters, bombastic political statements, documenting intimate details or elusively abstracting a phrase, text incorporated within art offers a profound purpose by both redefining our perception of what language can be and what it can do. Often, by manipulating its context, text is freed to become a vehicle that allows us to take into consideration what was previously concluded.
Public Programs: Curator’s Talk: September 19, 2013, 5 –6:30pm
- Ultra Violet
- Rachel Perry Welty
- John Waters
- Sam Trioli
- Hank Willis Thomas
- Erin Sweeney
- Adam Stennett
- Ryan Steadman
- Adam Parker Smith
- Michael Scoggins
- David Shrigley
- Pete Schulte
- Glen Scheffer
- Kenny Scharf
- Walker T. Roman
- Frankie Rice
- Janaki Ranpura
- David Potter
- Jack Pierson
- Kottie Paloma
- Doug Padgett
- Ewa Nogiec
- Susie Nielsen
- Edward Monovich
- Ryan McGinley
- Charles Lutz
- Peter Liversidge
- Sean Lamoureux
- Steve Lambert
- Darren Kraft
- Terence Koh
- Morten Hemmingsen
- Jenny Holzer
- Heather Hilton
- Raul Gonzalez III
- Gilbert and George
- Peter Scarbo Frawley
- Peter Fox
- Mark Flood
- Silas Finch
- Tracey Emin
- Tim Donovan
- Len Davis
- Joy Drury Cox
- Michael Carroll
- Tricia Rose Burt
- Helene Aylon
Via Sharon Arts Center
Capitalism Works For Me! True/False will show in Times Square as part of the 2013 Crossing The Line Festival and Times Square Arts.
About Crossing The Line:
Over twenty-five days, Crossing the Line, presented by the French Institute Alliance Française (FIAF), offers New Yorkers a chance to engage with the work and imagination of seventeen extraordinary international artists, several presenting their work and ideas in New York for the first time.
Capitalism Works For Me! True/False will be in Times Square on these dates.
- Sept. 20, 12-5 pm
- Oct. 6-7, 12-7 pm
- Oct. 8, 12-7 pm
- Oct. 9, 12-7 pm
Does Capitalism Work? Public Conversation
“Does Capitalism Work?”: Conversation with Steve Lambert, economist Richard Wolff, and psychotherapist Harriet Fraad
Wednesday, October 2, 2013 from 7:00 PM to 9:00 PM (EDT)
Times Square, Venue to be announced
RSVP on eventbrite
Read more about the project
Photos by Jake Schlichting
Opening reception June 27th.
JUNE 27 – AUGUST 31, 2013
ETHAN COHEN NEW YORK
251 W 19TH ST,
NEW YORK, NY 10011
What is the unique thing that all artists share? What do they search for in their art that defines them? Is it their brush stroke, line, hand on the material, humor, politics or choices in presenting ideas?
ETHAN COHEN NEW YORK presents Sharper Image, a group exhibition that brings to together 22 artists and the unique expressions. The purpose of this exhibition is to showcase these diverse ideas as each of their practices moves toward some notion of idealism and refinement.
Idealism, in its myriad forms, can be serious or playful, abstract or representational, sculptural or painterly, conceptual or nonobjective, active or passive.
Idealism in its painterly form, like in the work of Barry Nemett, Kyle Hackett, Chi Ming, Joseph Ayers, Peter Ferguson, Li Lin, June Culp, Laini Nemett, M.Cheon aka Kim Il Soon, Liu Xiaohui or Lillian Lorraine, focuses on specific details, like an architectural step or varying approaches to portraiture. As Barry Nemett says,“Painting, for me, is about bringing subject matter, emotions, ideas into visual focus. Ironically, sometimes sharpening an image involves ambiguity, ethereality . . . even invisibility.”
The everyday object finds revision and refinement in the sculptural works of Brookhart Jonquil, Michael Zelehoski, Bob Bailey, Matt Kinney, Breon Dunigan, and Isaac Aden, who employ speakers, street signs, skeletons, fluorescent tubing, and mirrors. In the work of Eric Doeringer, the artist has taken familiar art objects – on Kawara’s date paintings, in this case – and appropriated it as his own.
The intangible is given form in the sound/algorithm paintings of John Aslanidis, and Leanna Pascual’s yoga-practice-turned-performance artwork. Likewise, Steve Lambert’s lit sign illuminates, literally, the notion of authoritarianism and power.
Sharper Image artists include Trong G. Nguyen, Breon Dunigan, Eric Doeringer, Leanna Pascual, John Aslanidis, Barry Nemett, Laini Nemett, M. Cheon aka Kim Il Soon, Brookhart Jonquil, Michael Zelehoski, Lillian Lorraine, Peter Ferguson, Steve Lambert, Kyle Hackett, Joseph Ayers, Matt Kinney, Liu Xiaohui, Isaac Aden, Bob Bailey, June Culp, Chi Ming, and Li Lin.
Ethan Cohen New York will presentSharper Image: Part II,a special exhibition, at artSTRAND in Provincetown, Massachusetts from August 9 – 18, 2013. For more information, email@example.com or 508-487-1153.
For general inquiries about Sharper Image, contact 212-625-1250 or firstname.lastname@example.org.
ETHAN COHEN NEW YORK
251 W 19TH ST,
NEW YORK, NY 10011
Opening reception: Tuesday, June 25, 6:30PM-8:30PM, Free Open through September 2
Czech Center New York – The Gallery and Rooftop
Exhibition examining themes, concepts and cultural fictions dealing with environment and ecology, featuring Czech and international artists Matej Al-Ali (CZ), Silvina Arismendi (CZ/UY), Mark Dion (US), Petr Dub (CZ), Mathias Kessler (AT), Tomas Moravec (CZ), Because We Want It (US), Anne Percoco (US), Katerina Seda (CZ), Klara Sumova (CZ) and Slavoj Zizek (SI).
Curated by Kristyna and Marek Milde.
Opening Reception with Czech beer and Czech wine is supported by Staropramen and Vino z Czech.
Rather than painting green and romanticizing nature, the artists and concepts, presented in Poison Green interrogate and study the complexity of our environment, examining the consequences of the urban, post-industrial, and virtualized reality we live in.
Ultimately, Poison Green seeks to demystify the ideologies inherent in our understanding of nature, reflecting on conventions and stereotypes, and looking for possible enviro models socially integrated into our daily lives and culture.
The exhibition Poison Green is incorporated in a series of installations and visuals that extends from the gallery of the Bohemian National Hall to its rooftop, where a community garden project accompanying the show is installed. Here participants and visitors have the opportunity to experience the process of how to grow just enough food for one dish.
Czech Center New York
JUNE 14 – AUGUST 10, 2013
OPENING RECEPTION: FRIDAY, JUNE 14, 5:00–7:00 P.M.
Featuring work by Superflex, Laura Kina, Chris Dorland, Mark Dean Veca, Joel Ross (with Jason Creps), Jason Thomas Pallas, Jaclyn Jacunski, Peter Liversidge, Jeffrey T. Jones, Jonathan Monk, Eric May, Steve Lambert, Nicolas Lampert, Justseeds, and Howling Mob Society.
This exhibition considers the expressive potential of image and language through signage: how do artists use the visual and physical characteristics of signage, along with its often site specific cultural currency, to create realms of poetic or political meaning in public space or the gallery? With a focus on forms of permanent and ephemeral signage this exhibition will consider artists’ billboards, marquees, street signs, banners and posters among other forms of infrastructural signage.
Held in association with the THIRD ANNUAL TYPOGRAPHY SYMPOSIUM, a four-day extravagana celebrating typography and design, featuring signmaking workshops, a lecture by John Downer, and a panel on Chicago street typography.